John McDonald | The Sydney Morning Herald

We’re sorry, this feature is currently unavailable. We’re working to restore it. Please try again later.

Advertisement

John McDonald is an art critic for The Sydney Morning Herald.

When was the last time a soap ad gave you spiritual pleasure?
Opinion
Review

When was the last time a soap ad gave you spiritual pleasure?

Alphonse Mucha made the bold claim that his posters turned the street in “open-air art exhibitions”.

  • by John McDonald

Latest

Master or monster: The artist equally loathed and revered
Opinion
Review

Master or monster: The artist equally loathed and revered

Call it charisma, presence or personal magnetism. Paul Gauguin had it in abundance.

  • by John McDonald
Do we care about the Archibald Prize too much?
Opinion
Review

Do we care about the Archibald Prize too much?

The best interpretation one may put upon this phenomenon is that it’s a bit of fun, but it is a worrisome trend because the prize becomes the public standard by which art is judged.

  • by John McDonald
This is a monumental exhibition worthy of its monumental subject

This is a monumental exhibition worthy of its monumental subject

Pharaoh – the British Museum’s largest-ever loan exhibition – is quite exceptional. A monumental subject has brought forth a monumental feat of exhibition design.

  • by John McDonald
Archibald winner’s style perfectly matched to subject Tim Winton

Archibald winner’s style perfectly matched to subject Tim Winton

The win signifies a return to the quaint, old-fashioned notion that a portrait should be a good likeness.

  • by John McDonald
Two of Australia’s great artists lead exhibition full of echoes

Two of Australia’s great artists lead exhibition full of echoes

Cutting Through Time explores affinities between Cressida Campbell, Margaret Preston, and Japanese printmakers.

  • by John McDonald
Advertisement
Artist’s iconic images still feel as fresh as the day they were made

Artist’s iconic images still feel as fresh as the day they were made

Once seen, Sally Robinson’s works are never forgotten.

  • by John McDonald
All sizzle but no substance: An art critic’s take on King Charles’ portrait

All sizzle but no substance: An art critic’s take on King Charles’ portrait

At first glance I thought the palace was on fire, with Charles looking strangely pleased as he was engulfed in flames.

  • by John McDonald
Hedonist or intellectual? The MCA’s new exhibition will sort you out

Hedonist or intellectual? The MCA’s new exhibition will sort you out

In A World Undone, Nicholas Mangan tackles the big issues of our time with a formidable intelligence but with a dry sense of aesthetics.

  • by John McDonald
These two art exhibitions take contrary approaches to depicting history

These two art exhibitions take contrary approaches to depicting history

Where the works of William Kentridge only asks questions, the Sydney Biennale provides ready-made answers.

  • by John McDonald
This exhibition from Australia’s most ambitious regional gallery is a Francophile’s dream

This exhibition from Australia’s most ambitious regional gallery is a Francophile’s dream

Bendigo Art Gallery’s collaboration with the Musee Carnavalet embraces the romance of Paris’ Belle Epoque.

  • by John McDonald